Adjacency Pairs in Drama Script “Teen Angel” by D.M Larson
نویسندگان
چکیده
منابع مشابه
Virginity loss narratives in "teen drama" television programs.
"Teen drama" television programs use sexual scripts that provide a framework for narrating virginity loss (Gagnon & Simon, 1973). Drawing on the work of Carpenter (2005), this study identifies the following sexual scripts in virginity-loss narratives: (a) the abstinence script, which places a high value on virginity and emphasizes delaying virginity loss; (b) the urgency script, which defines v...
متن کاملAdjacency Concept for Pairs of Natural Numbers
The articles [8], [11], [10], [5], [1], [7], [12], [4], [3], [2], [9], and [6] provide the notation and terminology for this paper. In this paper i, j, k, k1, k2, n, m, i1, i2, j1, j2 are natural numbers. Let us consider i1, i2. We say that i1 and i2 are adjacent if and only if: (Def. 1) i2 = i1 + 1 or i1 = i2 + 1. One can prove the following propositions: (1) For all i1, i2 such that i1 and i2...
متن کاملAdjacency Pair Recognition in Wikipedia Discussions using Lexical Pairs
Adjacency pair recognition, a necessary component of discussion thread reconstruction, is the task of recognizing reply-to relations between pairs of discussion turns. Previously, dialogue act classification and metadata-based features have been shown useful in adjacency pair recognition. However, for certain forums such as Wikipedia discussions, metadata is not available, and existing dialogue...
متن کاملGood Pairs of Adjacency Relations in Arbitrary Dimensions
In this text we show that the notion of a “good pair” that was introduced in the paper [6] has actually known models. We will show, how to choose cubical adjacencies, the generalizations of the well known 4and 8-neighborhood to arbitrary dimensions, in order to find good pairs. Furthermore, we give another proof for the well known fact that the Khalimsky-topology [7] implies good pairs. The out...
متن کاملDrama and Temporality of the Electroacoustics in Roger Reynolds’ The Angel of Death
Introduction Roger Reynolds subtitled his composition Odyssey (1989-93) "an opera in the mind". However, form, time, and space are present in his works to such extent, that the "opera in the mind" epithet could be applied to all his compositions. Although this dramatic aspect can be expressed in an outward form onstage (for example JUSTICE, 1999), it is nevertheless more an inner affair than an...
متن کاملذخیره در منابع من
با ذخیره ی این منبع در منابع من، دسترسی به آن را برای استفاده های بعدی آسان تر کنید
ژورنال
عنوان ژورنال: Ahmad Dahlan Journal of English Studies
سال: 2017
ISSN: 2477-2879,2356-5012
DOI: 10.26555/adjes.v4i2.6413